"What is that unforgettable line?" {Samuel Beckett}
Hooray readers... the weekend has arrived... the perfect opportunity for you to catch up with reading the days of the blog you may have missed! I am not called tomorrow as it's a dance call with the juves, so I too have the weekend off and will be catching up with "the lads" from Brownhills (my home town) - for a very untheatrical weekend. Tomorrow is also our "title protagonists" birthday!! So Happy Birthday Emma!!! Hope you have a good one!!
Lets start tonight with a quick run down of last nights festivities at the Guildford light switch on. It was great meeting "old friends, new friends and the girlfriend" for a drink or two and a catch up, I won't list everyone for sack of timing. I sampled the mulled wine and German sausages available on the High Street - as I thought only polite to do so! We had a cracking view of the town hall balcony, standing just by the Tunsgate arches. We we're all cheering for the panto cast, including PG, Emma, Susie & Kit. I was apparently very bashful when I got a mention and the others started cheering... "oh you guys!" Sandy couldn't stay with us all night unfortunately as she had to get back to pack... off to my homeland for her panto today.. so break a leg Jarvo!
It was a great turnout, despite the horrid weather and great PR for the panto! Having PG on board is great for the show and the theatre as it gets more airtime than the other local pantomimes because of his personal connection. PG is very good at what he does I have to say... not only on the radio but with people in general - he kept the crowds entertained for two hours yesterday - a personal highlight being the mascot that tried to upstage him: nearly succeeding. He was also "busking for the trust" at lunchtime, so not only entertaining but doing good for local charities too! Although... I think Gerry may have told him he needs some singing practice for his number with Royce!!
Today was spent going over sections of Act 1 and then doing a run through to see what stage we were at with it. It was so enjoyable to see it coming together and to see/hear sections afresh. The number between Kit & Susie sounds even better and the choreograph that goes with it is hilarious! More ensemble numbers were also a nice surprise! We've been really lucky with the ensemble this year, they are fantastic and they seem like a lovely bunch, so I'm looking forward to getting to know them all better over the run.
Emma and I had tears rolling down our cheeks this afternoon, talking to Kit. He's so naughty but so funny. I think he must have a "BA Hons in Unendo". He has a such a wonderful voice too - very silky tones! If you're not familiar with Kit & the Widow... look them up on YouTube and search for the Swansong!! It's beautiful! I can see already that we're going to have some fun with Kit over the coming months - I suspect mischief! What i love even more about him is that he has converted the back of his transit van into mini theatrical digs! So if you see a big van around Guildford over Christmas with strange sounds coming out of it, don't worry!!! It'll just be Kit doing a warming up pre-performance!
I'm also looking forward to getting to know Susie better - she is such a sweetheart and has a wealth of experience! She's also in or has been in two of my favourite programmes, Coronation St & Mrs Browns Boy's, which she's in again over the Christmas period for the specials and then the new series in 2013. She's seems a very calm person when she's sitting around the rehearsal room or chatting to you, but then as soon as she's on stage - 'switch on' and out comes all this energy. She's naturally funny and very giving to the other actors; she'll hiss & boo and call out when other people are doing scenes. I think the children will love her and warm to her instantly!
There are some rehearsal shots that were taken this afternoon on the Yvonne Arnaud Facebook page... so do pop over and have a look! And.. when you're there, why not follow them on Twitter too!!! Their twitter account is brilliant and very active! It's not just boring advertising like other theatres can fall into.
Right folks, enjoy your weekend and I'll see you again on Monday when we move onto Act 2! I'm so excited to see what Gerry has in stall for us!!!
Best Wishes,
Pongo
X
Saturday, 24 November 2012
Thursday, 22 November 2012
Wednesday, 21 November 2012
Day 3 - Pongo The Mug!!
"Acting is all about honesty. If you can fake that, you've got it made." {George Burns}
Hi-de-hi readers - Most important news out of the way first.... only 34 sleep until Christmas, so if you haven't already started buying your gifts, don't forget the big light switch on in Guildford tomorrow night, which signals the start of late night shopping every Thursday!!!
Not a great start to the day for me today... Took an hour to get from Brook to Guildford - which let me assure you is a very boring journey to be crawling along, especially when it's making you late! My spirits were soon lifted however upon reaching the rehearsal room and seeing what the ensemble have done with the opening number. It looks fantastic and it's only day three.
Royce was back to day and he was on fire! He's had us all in tears again today. He, Emma, Joe, Kit and myself were rehearsing the laundry scene, which has some beautifully funny business for all involved - especially me, as I come a cropper with the equipment - I'm hoping it will be one of the memorable scenes and probably one of the children's favourites.
The highlight of the day for me was Kit (Abanazer) goosing Royce (Twankey). I don't think Royce was expecting what came his way, but Kit was simply following his stage directions, creeping across stage and giving our Dame a massive squeeze on the 'arris! Royce's lips pursed for an "ooooooooower" and his eyes rolled inwards - this reaction combined with his next line was priceless, and as so often happens in panto - it's stayed in! We also enjoyed an impromptu bit of ABBA mania today, which flung us all back to the seventies for a moment of madness - but as ever I don't want to give too much away.
Gerry worked on the dancing with the ensemble for a sizable chunk of the morning, which gave the rest of us plenty of opportunity for tea, coffee, biscuits and chats. Theatrical chats of course... one topic being the late, great Danny La Rue. Jamie Attle, our costume designer and wardrobe master mentioned that he purchased some of Danny's costumes and head dresses at an auction a couple of years ago, and that Royce would actually be wearing one of them in the show - it meant a lot to him as they were old friends. Danny was actually in the first pantomime I ever saw at the Birmingham Hippodrome, when I was a little sprog. Back in the days when it wasn't against health and safety legistration to throw sweets into the audience; apparently this is a safe move as low flying sweets could cause bruising, nose bleeds, blindness or even DEATH! Oh and of course they rot your teeth... it really wouldn't surprise me if that is written down in some Westminster office!
We staggered through Act 1 this afternoon and it looks and feels in good shape - it's already packed with funny moments and we've got another fortnight before we open! We we're allowed to leave early again today which freed me up to do a bit of shopping and get still get home nice and early! Enjoyed the latest goings on from the jungle - great news that Brian Conley is shaping up well out of hospital!! He can't be ill for long.... he's got panto (Robinson Crusoe @ Brum Hipp) to prepare for and "the show must go on!"
I also received a very thoughtful and personal gift from the guys at "the day job" today. When I'm not trading the boards I have to do what every other job-in actors hate... swallow your pride and go back to the day job... bills have got to be paid somehow! Thankfully for me I work at a beautiful little pub in Brook called "The Dog & Pheasant" with a lovely staff and probably the world's most understanding and accommodating bosses. I've worked for them (on and off) for three and a half years now, at different pubs along the way - I say "on and off" because they very kindly let me have time off for theatre jobs (such as this two months) and then come back afterwards - it's very rare and so very much appreciated to have that kind of security... and I don't fancy McDonalds! Anyway - the gift. Adella (one of my work chums) had already given me a card, lots of choccies and some port on Sunday, but today she gave me a mug with another mug on it. my ugly mug that is - dressed as Pongo from the posters, and wishing me Good Luck from all at the D&P... I'll pop a picture up for you. this will be the cup that holds all my teas, coffees and manuka honey with echinacea over the run! God send - so thanks guys!
Anyway - I'll leave you for tonight. Don't forget to pop down and see the lights tomorrow. I'll be back on FRIDAY as there may be one or seven too many glasses of wine in the blood tomorrow night as we're all meeting for pre panto drinks!
So "Cheers!"
Pongo X
Hi-de-hi readers - Most important news out of the way first.... only 34 sleep until Christmas, so if you haven't already started buying your gifts, don't forget the big light switch on in Guildford tomorrow night, which signals the start of late night shopping every Thursday!!!
Not a great start to the day for me today... Took an hour to get from Brook to Guildford - which let me assure you is a very boring journey to be crawling along, especially when it's making you late! My spirits were soon lifted however upon reaching the rehearsal room and seeing what the ensemble have done with the opening number. It looks fantastic and it's only day three.
Royce was back to day and he was on fire! He's had us all in tears again today. He, Emma, Joe, Kit and myself were rehearsing the laundry scene, which has some beautifully funny business for all involved - especially me, as I come a cropper with the equipment - I'm hoping it will be one of the memorable scenes and probably one of the children's favourites.
The highlight of the day for me was Kit (Abanazer) goosing Royce (Twankey). I don't think Royce was expecting what came his way, but Kit was simply following his stage directions, creeping across stage and giving our Dame a massive squeeze on the 'arris! Royce's lips pursed for an "ooooooooower" and his eyes rolled inwards - this reaction combined with his next line was priceless, and as so often happens in panto - it's stayed in! We also enjoyed an impromptu bit of ABBA mania today, which flung us all back to the seventies for a moment of madness - but as ever I don't want to give too much away.
Gerry worked on the dancing with the ensemble for a sizable chunk of the morning, which gave the rest of us plenty of opportunity for tea, coffee, biscuits and chats. Theatrical chats of course... one topic being the late, great Danny La Rue. Jamie Attle, our costume designer and wardrobe master mentioned that he purchased some of Danny's costumes and head dresses at an auction a couple of years ago, and that Royce would actually be wearing one of them in the show - it meant a lot to him as they were old friends. Danny was actually in the first pantomime I ever saw at the Birmingham Hippodrome, when I was a little sprog. Back in the days when it wasn't against health and safety legistration to throw sweets into the audience; apparently this is a safe move as low flying sweets could cause bruising, nose bleeds, blindness or even DEATH! Oh and of course they rot your teeth... it really wouldn't surprise me if that is written down in some Westminster office!
We staggered through Act 1 this afternoon and it looks and feels in good shape - it's already packed with funny moments and we've got another fortnight before we open! We we're allowed to leave early again today which freed me up to do a bit of shopping and get still get home nice and early! Enjoyed the latest goings on from the jungle - great news that Brian Conley is shaping up well out of hospital!! He can't be ill for long.... he's got panto (Robinson Crusoe @ Brum Hipp) to prepare for and "the show must go on!"
I also received a very thoughtful and personal gift from the guys at "the day job" today. When I'm not trading the boards I have to do what every other job-in actors hate... swallow your pride and go back to the day job... bills have got to be paid somehow! Thankfully for me I work at a beautiful little pub in Brook called "The Dog & Pheasant" with a lovely staff and probably the world's most understanding and accommodating bosses. I've worked for them (on and off) for three and a half years now, at different pubs along the way - I say "on and off" because they very kindly let me have time off for theatre jobs (such as this two months) and then come back afterwards - it's very rare and so very much appreciated to have that kind of security... and I don't fancy McDonalds! Anyway - the gift. Adella (one of my work chums) had already given me a card, lots of choccies and some port on Sunday, but today she gave me a mug with another mug on it. my ugly mug that is - dressed as Pongo from the posters, and wishing me Good Luck from all at the D&P... I'll pop a picture up for you. this will be the cup that holds all my teas, coffees and manuka honey with echinacea over the run! God send - so thanks guys!
Anyway - I'll leave you for tonight. Don't forget to pop down and see the lights tomorrow. I'll be back on FRIDAY as there may be one or seven too many glasses of wine in the blood tomorrow night as we're all meeting for pre panto drinks!
So "Cheers!"
Pongo X
Tuesday, 20 November 2012
Day 2 - Reunited with my old friend Arnie.... Arnicare that is!
"There must be quite a few things a hot bath won't cure, but I don't know many of them!" {Sylvia Plath ~ The Bell Jar 1963}
Salutations dear readers and a very happy Tuesday to you all. I had the best start possible to rehearsals this morning... a delightful, warm and cosy lie in! A 12 o'clock call provided just enough time for say 3 extra hours in bed... I felt so bad lying there all relaxed and at ease thinking of my old chum PG, who'd probably been up since 5am, to present the Breakfast show on Eagle radio (an avid supporter of the Yvonne Arnaud and it's pantomime). "Life's tough at the top eh pal?!"
He was however afforded a method of revenge.... a piece of business that I think PG will relish in for the next 2 months. He already demonstrated this relish by wanting to keep rehearsing the moment where he clobbers my round the noggin!!
After not managing to get on stage yesterday Peter (our Emperor) was determined to speak his first line as soon as he could, this providing me with the perfect opportunity to wind him up... just a little. A quick word in the ear of Sir Gerry (our director and fellow panto geek) and it was done; just as poor old PG was about to walk on Gerry called "PG I don't think I'm going to do this scene now...!" we were amused even if he wasn't. But it turned out that first line was going to cause more amusement as the rehearsal went on.
We discovered today that PG doesn't have much experience of marching, or more specifically - marching in time! Numerous failed attempts lead to many fits of laughter and surely a gem of an idea for this year COD.
~ A COD for anyone not in the know stands for Crew On Deck. Each year the crew write and perform their version of the pantomime, ribbing the actors, the script and all the funny goings on that may have cropped up over the run. It's all done in very good taste and not meant to offend anyone - much. it's an absolute treat and so amusing. I went to last years even though I wasn't in the show and still howled as I saw friends being sent up. If the crew don't pick up on something that you've done or a trait you may have then your either very lucky to avoid the nib of Vicky (the DSM and COD writer) or to put it plainly.... a bit boring?!?! ~
Thankfully PG takes the banter very well, and really does give as good as he gets... if not more, so we were of course laughing with him as opposed to at him. Well at least I think so, unless he's sat at home reading this now, crying into the arms of his lovely wife Mel.
Another highlight of the day was hearing a couple of the numbers that Anthony England (MD) has put together. It's still early days and the two numbers I heard sounded great already... I'm a little jealous that I'm not in the opening number after hearing it. Gerry has choreographed a beautiful sequence for the ensemble, which without giving too much away, includes props and some seemingly simple moves... until of course the guys come to do it. The best moment arrived when Gerry decided to demonstrate what he wanted with Amy... throwing these buckets around, they were both unaware there was a little water inside one, which inevitably ended up spilling on Amy.. there's a video on Twitter for anyone who wants a giggle.
The second song I saw, just before I left - I had a double bonus today - not only did I start late but finished early too, was a duet with Abanazer (Kit Hesketh Harvey) and the Genie (Susie Blake). We all applauded after hearing this little ditty, which to me has an air of musical about it. It's a slightly re-worded Mel Brooks song, but I shan't tell you which one!
We also, after only two days in did a mini run of what we've got so far this afternoon. Went well - obviously we don't have the freedom we will have when we're all off book yet, but you can see and feel it's going to be good! There's lots of funny business going on, so the audience shouldn't have a moment to catch their breaths between the laughs. The slapstick is coming thick and fast for me which I love!! I adore playing the idiot, which of course my accent lends its self to quite easily. I do therefore need to brush up on my tumbling... I gained a slight bruise on the derriere yesterday which after falling upon the same spot a couple of times today has left me with, shall we say a slightly "pummelled rump" - nothing which a hot bath and a healthy dose or Arincare can't fix. I got through a couple of tubes last time I was here in Guildford. Climbing into tight spaces during the magic illusions left me with battered knees, hips, arms and on occasion a bashed up "mic-pac" - if you'll excuse the expression! So I feel a bruised leg is mild in comparison.
Another cast member who would probably benefit from a nice relaxing bath is Widow Twankey (the wonderful Royce Mills) who today unfortunately hasn't been with us, as he was feeling a little under the weather. You can tell when Royce isn't in the room - it loses a certain energy - so we hope he's well and back with us soon.
~A quick note on Royce - and don't tell him I said this... (I don't think he's into social media so he won't read this!) but he is by far my favourite Dame in panto land, well deserving the capital "D"! I first saw Royce when I was ushering at the Arnaud. I'd usually gone back up to the Midlands for the holidays at GSA, by the time panto kicked off and wouldn't see the show, but one year when Stephanie Beecham starred in "Snow White" I was lucky enough to see Royce play "Herman the Henchman" the bumbling subservient fool - the part I played last year in Buxton. I couldn't take my eyes off him, and neither could the audience, they love him! Coincidentally that was also PG's first year in Guildford's Panto, although only appearing as the recorded mirror. The following year I saw them both again in "Jack and the Beanstalk" this time with Royce as Dame! He has a wonderful approach... he wants the audience to warm to him and he never fails. He has make up, a dress and a wig of course, but the wig is always ridding just a little up the back of his head so you can see his real hair, his make-up is jolly and suggestive rather than drag and he uses his own melodious yet manly voice. He's playing a woman without sending them up. And he doesn't like lots of references to him being 'a man in a dress'... I remember him saying "they know I'm a man - there's no need to bang on about it!" and he's entirely right! Any references he does make to his actual gender are double entendre which are much funnier and suit Guildford's audience perfectly. He is the Dame I eventually want to be and will be studying him to get all the knowledge I can... he's full of anecdotes and has lots of tips, jokes and ideas, which Gerry usually agrees with. Anyway... the audience will make their own decisions but I think Guildford's very lucky to have him!" ~
I can't wait for Thursday night - the big light switch on in Guildford. I always enjoy this night; chestnuts, lots of carols and christmas songs, fireworks and of course the lights themselves, usually with a little light entertainment thrown in from our very own PG. As last year, I'm meeting up with my good friends Jeff & Dawn (both of whom are involved with the Arnaud) for what now seems to be our annual "light switch on drinks!" Joe's (Wishee) joining us this year, along with Emma (Aladdin) as soon as she's finished up on the balcony! Plus we have another very special guest joining us this year! My girlfriend Sandy is popping down for the festivities before she jets off to the sunny land of - Birmingham(?!?!) for her own pantomime. We're not going to get to spend much of the build up to Christmas together unfortunately so I thought Thursday would be a great opportunity. So if you me and the gang around town.. do pop over and say "hello!"
Talking of Guildford, PG and myself were chatting this afternoon about the importance of local theatre and advertising. The Yvonne Arnaud is a wonderful theatre and boasts an annually successful and traditional family pantomime, along with all the other delightful theatre it houses throughout the year. If you're from the local area and haven't booked up yet... please do. Don't waste extra money on travel expenses to panto's out of town! You've got one on your doorstep - why not save on the travel and go out for dinner before hand instead?! The cast and crew, along with all the folks who work in-house at the theatre are really pushing the social media this year - it obviously reaches a lot of people and can be both informative and entertaining. Please help us to keep audience levels up and spread the word about Aladdin! You wont be disappointed - and it would be a shame if you're reading this blog and never actually get to see the show!
My early finish meant I was free to do a little shopping and order my new suit for opening night - "You've gotta look good for your public darling!" Is top hat and tails too much?! Now though, after talking to you dear readers, I'm off into the bath (I'll leave that image with you) and then I'm going to snuggle up in bed, learn some more lines and watch one of the ITV pantomimes... just for research of course!
Night all.
Pongo X
Follow Jamie on Twitter "@Jamiebrook" and join his Fan page on Facebook!
Salutations dear readers and a very happy Tuesday to you all. I had the best start possible to rehearsals this morning... a delightful, warm and cosy lie in! A 12 o'clock call provided just enough time for say 3 extra hours in bed... I felt so bad lying there all relaxed and at ease thinking of my old chum PG, who'd probably been up since 5am, to present the Breakfast show on Eagle radio (an avid supporter of the Yvonne Arnaud and it's pantomime). "Life's tough at the top eh pal?!"
He was however afforded a method of revenge.... a piece of business that I think PG will relish in for the next 2 months. He already demonstrated this relish by wanting to keep rehearsing the moment where he clobbers my round the noggin!!
After not managing to get on stage yesterday Peter (our Emperor) was determined to speak his first line as soon as he could, this providing me with the perfect opportunity to wind him up... just a little. A quick word in the ear of Sir Gerry (our director and fellow panto geek) and it was done; just as poor old PG was about to walk on Gerry called "PG I don't think I'm going to do this scene now...!" we were amused even if he wasn't. But it turned out that first line was going to cause more amusement as the rehearsal went on.
We discovered today that PG doesn't have much experience of marching, or more specifically - marching in time! Numerous failed attempts lead to many fits of laughter and surely a gem of an idea for this year COD.
~ A COD for anyone not in the know stands for Crew On Deck. Each year the crew write and perform their version of the pantomime, ribbing the actors, the script and all the funny goings on that may have cropped up over the run. It's all done in very good taste and not meant to offend anyone - much. it's an absolute treat and so amusing. I went to last years even though I wasn't in the show and still howled as I saw friends being sent up. If the crew don't pick up on something that you've done or a trait you may have then your either very lucky to avoid the nib of Vicky (the DSM and COD writer) or to put it plainly.... a bit boring?!?! ~
Thankfully PG takes the banter very well, and really does give as good as he gets... if not more, so we were of course laughing with him as opposed to at him. Well at least I think so, unless he's sat at home reading this now, crying into the arms of his lovely wife Mel.
Another highlight of the day was hearing a couple of the numbers that Anthony England (MD) has put together. It's still early days and the two numbers I heard sounded great already... I'm a little jealous that I'm not in the opening number after hearing it. Gerry has choreographed a beautiful sequence for the ensemble, which without giving too much away, includes props and some seemingly simple moves... until of course the guys come to do it. The best moment arrived when Gerry decided to demonstrate what he wanted with Amy... throwing these buckets around, they were both unaware there was a little water inside one, which inevitably ended up spilling on Amy.. there's a video on Twitter for anyone who wants a giggle.
The second song I saw, just before I left - I had a double bonus today - not only did I start late but finished early too, was a duet with Abanazer (Kit Hesketh Harvey) and the Genie (Susie Blake). We all applauded after hearing this little ditty, which to me has an air of musical about it. It's a slightly re-worded Mel Brooks song, but I shan't tell you which one!
We also, after only two days in did a mini run of what we've got so far this afternoon. Went well - obviously we don't have the freedom we will have when we're all off book yet, but you can see and feel it's going to be good! There's lots of funny business going on, so the audience shouldn't have a moment to catch their breaths between the laughs. The slapstick is coming thick and fast for me which I love!! I adore playing the idiot, which of course my accent lends its self to quite easily. I do therefore need to brush up on my tumbling... I gained a slight bruise on the derriere yesterday which after falling upon the same spot a couple of times today has left me with, shall we say a slightly "pummelled rump" - nothing which a hot bath and a healthy dose or Arincare can't fix. I got through a couple of tubes last time I was here in Guildford. Climbing into tight spaces during the magic illusions left me with battered knees, hips, arms and on occasion a bashed up "mic-pac" - if you'll excuse the expression! So I feel a bruised leg is mild in comparison.
Another cast member who would probably benefit from a nice relaxing bath is Widow Twankey (the wonderful Royce Mills) who today unfortunately hasn't been with us, as he was feeling a little under the weather. You can tell when Royce isn't in the room - it loses a certain energy - so we hope he's well and back with us soon.
~A quick note on Royce - and don't tell him I said this... (I don't think he's into social media so he won't read this!) but he is by far my favourite Dame in panto land, well deserving the capital "D"! I first saw Royce when I was ushering at the Arnaud. I'd usually gone back up to the Midlands for the holidays at GSA, by the time panto kicked off and wouldn't see the show, but one year when Stephanie Beecham starred in "Snow White" I was lucky enough to see Royce play "Herman the Henchman" the bumbling subservient fool - the part I played last year in Buxton. I couldn't take my eyes off him, and neither could the audience, they love him! Coincidentally that was also PG's first year in Guildford's Panto, although only appearing as the recorded mirror. The following year I saw them both again in "Jack and the Beanstalk" this time with Royce as Dame! He has a wonderful approach... he wants the audience to warm to him and he never fails. He has make up, a dress and a wig of course, but the wig is always ridding just a little up the back of his head so you can see his real hair, his make-up is jolly and suggestive rather than drag and he uses his own melodious yet manly voice. He's playing a woman without sending them up. And he doesn't like lots of references to him being 'a man in a dress'... I remember him saying "they know I'm a man - there's no need to bang on about it!" and he's entirely right! Any references he does make to his actual gender are double entendre which are much funnier and suit Guildford's audience perfectly. He is the Dame I eventually want to be and will be studying him to get all the knowledge I can... he's full of anecdotes and has lots of tips, jokes and ideas, which Gerry usually agrees with. Anyway... the audience will make their own decisions but I think Guildford's very lucky to have him!" ~
I can't wait for Thursday night - the big light switch on in Guildford. I always enjoy this night; chestnuts, lots of carols and christmas songs, fireworks and of course the lights themselves, usually with a little light entertainment thrown in from our very own PG. As last year, I'm meeting up with my good friends Jeff & Dawn (both of whom are involved with the Arnaud) for what now seems to be our annual "light switch on drinks!" Joe's (Wishee) joining us this year, along with Emma (Aladdin) as soon as she's finished up on the balcony! Plus we have another very special guest joining us this year! My girlfriend Sandy is popping down for the festivities before she jets off to the sunny land of - Birmingham(?!?!) for her own pantomime. We're not going to get to spend much of the build up to Christmas together unfortunately so I thought Thursday would be a great opportunity. So if you me and the gang around town.. do pop over and say "hello!"
Talking of Guildford, PG and myself were chatting this afternoon about the importance of local theatre and advertising. The Yvonne Arnaud is a wonderful theatre and boasts an annually successful and traditional family pantomime, along with all the other delightful theatre it houses throughout the year. If you're from the local area and haven't booked up yet... please do. Don't waste extra money on travel expenses to panto's out of town! You've got one on your doorstep - why not save on the travel and go out for dinner before hand instead?! The cast and crew, along with all the folks who work in-house at the theatre are really pushing the social media this year - it obviously reaches a lot of people and can be both informative and entertaining. Please help us to keep audience levels up and spread the word about Aladdin! You wont be disappointed - and it would be a shame if you're reading this blog and never actually get to see the show!
My early finish meant I was free to do a little shopping and order my new suit for opening night - "You've gotta look good for your public darling!" Is top hat and tails too much?! Now though, after talking to you dear readers, I'm off into the bath (I'll leave that image with you) and then I'm going to snuggle up in bed, learn some more lines and watch one of the ITV pantomimes... just for research of course!
Night all.
Pongo X
Follow Jamie on Twitter "@Jamiebrook" and join his Fan page on Facebook!
Day 1 - Day of the Doughnut!
"A friend is a person with whom I may be sincere. Before him I may think aloud." (1841)
And relax.... a sigh of relief as the first day is over and done with. Not relief because it's been a difficult or stressful day, just relief that "the first day" is done and dusted. It's the same with any job or gathering of people; there's faces you'll know well, ones you recognise (maybe?) and others you've never set eyes on before. Nervousness and excitement are usually bedfellows under these circumstances as everybody wants to get involved, but also feel they need to keep themselves a little guarded to start with and not be too forward. Despite the job we do, actors can be very shy. I personally, although relishing friendships, socialising and (hopefully) entertaining chums, can be quite shy and reserved when I first meet someone. I tend to take a step back and listen to their conversation with the person introducing us. The joy about today was there's more people I know than not and within seconds I felt at home.
Going back into the rehearsal room gave a great sense of Dejavu of 2008, but it's a nice feeling. Greeted with teas, coffees and the glorious Krispe Kremes I keep mentioning, people are soon put at ease as they try and introduce themselves and shake hands, with a mug in the right hand, half a doughnut in the left and the remaining half of the doughnut smothered across your cheeks or dripping down your chin. It's the best way to do introductions, because people just forget themselves, relax and hopefully enjoy themselves.
As always the Arnaud team have done a great job of putting the cast together. Everyone seems so friendly and warm; it may sound a bit cliche but feeling comfortable in the rehearsal space is key if the director is to get the best out of people. Again, if you're relaxed you'll be more willing to try new things and make a fool of yourself. Feel like people are judging you and you tend to close yourself off and become very wooden - thankfully that's not something the Guildford audiences will be experiencing.
On the first day and after the meet and greet, where everyone introduces themselves and their job/role (think of it as a theatrical AA meeting, without the addictions) everyone will sit down for the read through. This is where the script will come to life for most people - hearing the different voices and types of delivery, make it all very real. I always enjoy the read through, but todays was made extra special by the wonderful Royce Mills.. how he makes me laugh. He's a walking pantomime which is fantastic, but he's a lovely man to boot. My favourite of all the Royceisms today was "My name is Euphemia Twankey and I'm a window...WIDOW!"
The read through is also the 'performance' that gets the most genuine laughs from the cast and crew. This is the first time we've all read it together, so everything is fresh and new.... once you've gone over something 40 times it's difficult to express genuine laughter as you're expecting everything - thankfully we've got Director Gerry, Choreographer Jill and our stage management team of Davin, Vicky & Laura to keep the enthusiasm up.
After a quick sing-a-long around the old Joanna, it was lunch and a new experience for me... Yo Sushi. Joe (Wishee Washee) and Lucy (Princess) fancied some sushi and I tagged along for the ride on the "seaweed role conveyor belt!" Nice.... but I was starving when we left, I'd need 12 of those little plates. i will however be going back with Sandy... I'm not overly fishy normally but I really enjoyed it... despite the borrower portions.
Back at Panto HQ, we hit the road running and started with Act 1 Scene 1, which contains a lot of shouting for me! Now, with it being day one, wanting to impress people and being high on the adrenaline of it all, I went full pelt all afternoon. My poor throat is feeling a tad raw after it all, but that's not too much of a worry... a day or two of rehearsing and the vocal chords will right themselves and get used to the extra usage. At least I hope so! Thankfully when you're into show time you only have to do each scene once, so the voice and body isn't taken to such extremes - unless you have no technique at all of course... then you're destined for hoarseness and a multi-packet of locket losengers.
The Juveniles were introduced today as well and we spent the early evening working them and the ensemble into the scene. Oh Pongo's a bossy, righteous little man - but I love him! I've got a lovely bit of business with the gang and one of the babes in particular.... but of course this blog isn't here to give the show away before you've seen it, so you'll have to wait and see!
So after the first day of fun and with a pair of screaming vocal folds it was off for a quick port, a spot of tea and a catch up with Jane our (me, Joe and Emma - Aladdin's agent). It's been a great day and I'm certainly going to sleep well tonight after a little steam :-)
Night All
Pongo!
And relax.... a sigh of relief as the first day is over and done with. Not relief because it's been a difficult or stressful day, just relief that "the first day" is done and dusted. It's the same with any job or gathering of people; there's faces you'll know well, ones you recognise (maybe?) and others you've never set eyes on before. Nervousness and excitement are usually bedfellows under these circumstances as everybody wants to get involved, but also feel they need to keep themselves a little guarded to start with and not be too forward. Despite the job we do, actors can be very shy. I personally, although relishing friendships, socialising and (hopefully) entertaining chums, can be quite shy and reserved when I first meet someone. I tend to take a step back and listen to their conversation with the person introducing us. The joy about today was there's more people I know than not and within seconds I felt at home.
Going back into the rehearsal room gave a great sense of Dejavu of 2008, but it's a nice feeling. Greeted with teas, coffees and the glorious Krispe Kremes I keep mentioning, people are soon put at ease as they try and introduce themselves and shake hands, with a mug in the right hand, half a doughnut in the left and the remaining half of the doughnut smothered across your cheeks or dripping down your chin. It's the best way to do introductions, because people just forget themselves, relax and hopefully enjoy themselves.
As always the Arnaud team have done a great job of putting the cast together. Everyone seems so friendly and warm; it may sound a bit cliche but feeling comfortable in the rehearsal space is key if the director is to get the best out of people. Again, if you're relaxed you'll be more willing to try new things and make a fool of yourself. Feel like people are judging you and you tend to close yourself off and become very wooden - thankfully that's not something the Guildford audiences will be experiencing.
On the first day and after the meet and greet, where everyone introduces themselves and their job/role (think of it as a theatrical AA meeting, without the addictions) everyone will sit down for the read through. This is where the script will come to life for most people - hearing the different voices and types of delivery, make it all very real. I always enjoy the read through, but todays was made extra special by the wonderful Royce Mills.. how he makes me laugh. He's a walking pantomime which is fantastic, but he's a lovely man to boot. My favourite of all the Royceisms today was "My name is Euphemia Twankey and I'm a window...WIDOW!"
The read through is also the 'performance' that gets the most genuine laughs from the cast and crew. This is the first time we've all read it together, so everything is fresh and new.... once you've gone over something 40 times it's difficult to express genuine laughter as you're expecting everything - thankfully we've got Director Gerry, Choreographer Jill and our stage management team of Davin, Vicky & Laura to keep the enthusiasm up.
After a quick sing-a-long around the old Joanna, it was lunch and a new experience for me... Yo Sushi. Joe (Wishee Washee) and Lucy (Princess) fancied some sushi and I tagged along for the ride on the "seaweed role conveyor belt!" Nice.... but I was starving when we left, I'd need 12 of those little plates. i will however be going back with Sandy... I'm not overly fishy normally but I really enjoyed it... despite the borrower portions.
Back at Panto HQ, we hit the road running and started with Act 1 Scene 1, which contains a lot of shouting for me! Now, with it being day one, wanting to impress people and being high on the adrenaline of it all, I went full pelt all afternoon. My poor throat is feeling a tad raw after it all, but that's not too much of a worry... a day or two of rehearsing and the vocal chords will right themselves and get used to the extra usage. At least I hope so! Thankfully when you're into show time you only have to do each scene once, so the voice and body isn't taken to such extremes - unless you have no technique at all of course... then you're destined for hoarseness and a multi-packet of locket losengers.
The Juveniles were introduced today as well and we spent the early evening working them and the ensemble into the scene. Oh Pongo's a bossy, righteous little man - but I love him! I've got a lovely bit of business with the gang and one of the babes in particular.... but of course this blog isn't here to give the show away before you've seen it, so you'll have to wait and see!
So after the first day of fun and with a pair of screaming vocal folds it was off for a quick port, a spot of tea and a catch up with Jane our (me, Joe and Emma - Aladdin's agent). It's been a great day and I'm certainly going to sleep well tonight after a little steam :-)
Night All
Pongo!
Saturday, 17 November 2012
Panto Eve Eve.... Cramming the lines!
Every actor has his or her own method for learning their lines and I think it must be the most asked question from those not in the world of theatre; "how on earth do you remember all those lines?! I couldn't do it!!" Well in fact you probably could, you just haven't had the need or reason to do so. The way non theatricals seem to hold this skill in such high esteem does sometimes make me feel like I possess some kind of superpower. The truth is, it's simply part of the job. Unless you want to spend your entire career improvising, every actor knows they are going to have to study their script and cram in the authors words at some point.
For me personally, I like to read the script a number of times to simply familiarise myself with its structure before I start to actually "learn" the lines. I will take a section each day and learn a line or small section at a time, building it up more and more until a whole scene is memorised. night time is my preferred time for reading a script, apparently it is absorbed more? For me though the real learning doesn't really start until you're in rehearsal. When you're up on your feet, interacting with the other actors reading their lines, putting in stage directions and getting a feel for the pace of the piece. This is where everything seems to slot into place for me, and where the lines are solidified.
Other people wont even go into rehearsals unless they have every word and punctuation mark memorised. Others read the script the day they get it and wont look at it again until rehearsals start where as some lucky so and so's can read a script two or three times from start to finish and virtually remember the whole thing. During the rehearsal process however, things are inevitably going to change. Lines may be added, taken away or moved and of course you're going to need to learn your stage directions, your personal prop list and of course your exits and entrances, so a little bit of flexibility when it comes to line learning is always useful I find.
Of course with this being a panto, convention goes out of the window anyway. The audience want to see actors forgetting their lines, dropping a prop or tripping on stage. They rejoice in seeing the actors sharing a laugh or two during Snow whites death scene. it makes them feel a part of the experience, something that they have seen that no other audience has... it's no wonder that some directors will include a "false corpse" - personally though I think the real thing is a lot funnier as it takes the actors by surprise. And actors have a knack, I'm sure you wont be surprised to learn, of turning the smallest little blip into a massive affair... "Oh my God, I can't believe that just happened - you said that, then I said this... then the stage caved it!?!" You'll probably here the same story retold at least twelve times before your next show - but that's all part of the fun.
So what about 2012/2013?! Well the script for Aladdin is really exciting. There's a lot for me to look forward too... not least the doughnuts at the meet and greet on Monday. It's an Yvonne Arnaud tradition that seems to go down well with everyone. What group of people aren't brought together by a cuppa and a sugary ring?! [see... the panto gags are creeping in already!]
So it all begins on Monday. For the cast that'll be it - our lives for the next two months become solely Pantomime - and for me that's never a bad thing!! I've already booked tickets to three other pantomimes for my days off.... "it's research darling!" I am a self confessed Panto Geek!! For now though, I'm going to my penultimate shift at "the day job" - it may not be as much fun as being on stage but it certainly keeps me out of trouble and affords me the lifestyle I live and enjoy.
For me personally, I like to read the script a number of times to simply familiarise myself with its structure before I start to actually "learn" the lines. I will take a section each day and learn a line or small section at a time, building it up more and more until a whole scene is memorised. night time is my preferred time for reading a script, apparently it is absorbed more? For me though the real learning doesn't really start until you're in rehearsal. When you're up on your feet, interacting with the other actors reading their lines, putting in stage directions and getting a feel for the pace of the piece. This is where everything seems to slot into place for me, and where the lines are solidified.
Other people wont even go into rehearsals unless they have every word and punctuation mark memorised. Others read the script the day they get it and wont look at it again until rehearsals start where as some lucky so and so's can read a script two or three times from start to finish and virtually remember the whole thing. During the rehearsal process however, things are inevitably going to change. Lines may be added, taken away or moved and of course you're going to need to learn your stage directions, your personal prop list and of course your exits and entrances, so a little bit of flexibility when it comes to line learning is always useful I find.
Of course with this being a panto, convention goes out of the window anyway. The audience want to see actors forgetting their lines, dropping a prop or tripping on stage. They rejoice in seeing the actors sharing a laugh or two during Snow whites death scene. it makes them feel a part of the experience, something that they have seen that no other audience has... it's no wonder that some directors will include a "false corpse" - personally though I think the real thing is a lot funnier as it takes the actors by surprise. And actors have a knack, I'm sure you wont be surprised to learn, of turning the smallest little blip into a massive affair... "Oh my God, I can't believe that just happened - you said that, then I said this... then the stage caved it!?!" You'll probably here the same story retold at least twelve times before your next show - but that's all part of the fun.
So what about 2012/2013?! Well the script for Aladdin is really exciting. There's a lot for me to look forward too... not least the doughnuts at the meet and greet on Monday. It's an Yvonne Arnaud tradition that seems to go down well with everyone. What group of people aren't brought together by a cuppa and a sugary ring?! [see... the panto gags are creeping in already!]
So it all begins on Monday. For the cast that'll be it - our lives for the next two months become solely Pantomime - and for me that's never a bad thing!! I've already booked tickets to three other pantomimes for my days off.... "it's research darling!" I am a self confessed Panto Geek!! For now though, I'm going to my penultimate shift at "the day job" - it may not be as much fun as being on stage but it certainly keeps me out of trouble and affords me the lifestyle I live and enjoy.
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